"The Lizard," the variety of the severely underrated "Water," and the failed anger management of Long gone is the famously savvy guitar crunch of the self-titled debut, the slick over-production of "Devil In The Details" sunk without much recognition – was it a function of the times or was it a function of theīand's evolution? It's pretty obvious that both played a role in that. The fans and even the record company had pretty much left Saigon Kick behind by the time Something funny must have happened by the time the band had peeled away to only Jasonīeiler and Beiler's singular vision became the entirety of Saigon Kick. Saigon Kick were once one of my favorite bands – and they still are if I only think about the first four records.
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